Healing Sounds as Resistance: Zane Rodulfo
In Trinidad and Tobago’s rich musical culture, the rhythm section is known as the ‘engine room.’ It is a group of percussionists that accompanies steelbands. The rhythm section is the heartbeat of the steelband. Historically, this music was banned during colonial rule; therefore, playing, dancing, or listening to this music became an act of resistance, celebration, and catharsis. In this Sonic Clinic, Zane Rodulfo offers a contemporary reflection on the traditional sounds of the rhythm section. Click on the Artists Statement to learn more about this tradition.
About the Artist
Born and raised in Trinidad and Tobago, Zane Rodulfo has been intrigued by the sound of music since an infant. He began studying and performing music at the early age of 4 and recently completed graduate study in Jazz Studies at New York University and holds Bachelor of Music degrees in both Jazz Performance and Ethnomusicology from the Oberlin Conservatory Of Music. Zane has opened for great musicians such as Stevie Wonder and performs at various festivals and venues where he has shared the stage with legendary Barry Harris, WessAnderson and many others. He has performed at illustrious venues such as Jazz at Lincoln Center and the Blue Note.
